News on Boris Lurie
BORIS LURIE at MAC
Museo de Arte Contemporaneo, Santiago de Chile
May 3 - July 9, 2022
BORIS LURIE: Nothing to do but to try
Museum of Jewish Heritage New York
A Living Memorial to the Holocaust
October 22, 2021 - April 29, 2022
Richardson Magazine (USA) has published a 16-page article on Boris Lurie with numerous illustrations in its current issue
(A10 - September 2021).
Boris Lurie exhibition at the Lipke Memorial Museum in Riga
until July 30, 2021
Erstmalig auf Deutsch!
Erscheint im März 2021 im Wallstein Verlag.
Mehr infos und eine Leseprobe erhalten Sie hier
Watch THE LIFE OF BORIS LURIE in the Boris Lurie & NO!art virtual gallery.
The new BORIS LURIE & NO!art Virtual Gallery
by the BORIS LURIE ART FOUNDATION
contains Lurie's most important paintings, drawings, collages, sculptures and more, as well as, a NO!art show with works by
Lurie, Goodman, Fisher, Lebel, Kusama, Tambellini, Vostell among others.
Over 250 significant works are on display.
The virtual gallery includes
a visualization of the MARCH GALLERY,
as well as, the GALLERY: GERTRUDE STEIN
presenting over 50 photos, statements and other files of these legendary galleries
connected to NO!art in the 1960s.
Discover the new Library which includes
Catalogues, Posters, Videos, Photos, Audio Analysis, Articles & Essays, Interviews, Exhibition History and Timelines.
Explore over 500 files available online to learn more about the art and life of Boris Lurie.
Enjoy lectures on Boris Lurie
(Washington DC time)
"Shit and Doom - NO!art"
Isser Aronovici, Stanley Fisher, Dorothy Gillespie, Sam Goodman, Yayoi Kusama, Suzanne Long, Boris Lurie, Lil Picard, Aldo Tambellini, Richard Tyler, Stella Waitzkin
19 September 2019 to 3 November 2019
Mathieu Copeland & Stewart Home in conversation
Sunday 29th September 4-6pm
258 Cambridge Heath Road
BORIS LURIE Artist and Witness at Mark Rothko Centre Daugavpils, Latvia
April 26th - June 23rd. 2019
BORIS LURIE and NO!art
National Museum of Art Riga Bourse, Riga, Latvia
12.January - 10.March 2019
Pop-art after the Holocaust
Museum of Contemporary Art Krakow
26.Oct.2018 - 03.Feb.2019
Boris Lurie (1924–2008) was an American artist, who was born into a Jewish family in Leningrad (today Saint Petersburg). He spent his childhood in Riga. In August 1941, the Germans began the deportation of the Jewish population to the ghetto. The artist’s mother, sister and grandmother as well as the artist’s teenage girlfriend were shot in the Rumbula forests on the outskirts of Riga in December 1941. The Rumbula massacre was one of the greatest atrocities to be carried out in the course of two days by the Einsatzkommandos, in which some 30,000 Jews were killed. Boris and his father found themselves in concentration camps in Stutthof, and then in Buchenwald, from which they were liberated in May 1945. Shortly after the war ended, they emigrated to the USA. Until the end of his life, the artist lived and worked in New York.
Lurie’s creative output encompassed many fields: he was a visual artist – creating paintings, installation and objects – as well as a writer and poet. His activity as he saw it was a form of protest against pop art and abstract expressionism – prevalent in the USA at the time. He did not care whether his art gained acclaim on the artworld market. Together with Stanley Fisher and Sam Goodman, he founded the NO!Art movement. To Lurie, “‘NO’ means not accepting everything that you are told and thinking of yourself. And it is also an expression of dissatisfaction.” His was art that was politically engaged and called for social action, art that was spontaneous, anarchic and therapeutic.
Boris Lurie was psychologically affected by the Holocaust and his art was irrevocably linked to that experience – a ceaseless attempt to work through the trauma of war. Lurie created a unique symbolic language, in which authenticity and emotional tension went beyond the accepted norms of what is deemed appropriate. The recurrent leitmotifs of his work are footage from concentration camps, the Star of David, snaps of pinup girls cut out from magazines and the word ‘NO’ – given prominence in many of his works.
The artist’s legacy – the majority of his works and archival material – are the property of the Boris Lurie Art Foundation in New York. The mission of the Foundation is to preserve and bring before the public the art of Boris Lurie, while making the viewers aware of the complex issues that were the impetus of these works.
© Boris Lurie Art Foundation. Text © MOCAK